Poetry Analysis Essay Example for Free

Poetry Analysis Essay Introduction Name of poem Home Burial Name of poet Robert Frost Date of publication 1915 Other relevant background info This poem talks about Living, Death, sorrow and grieving, Relationships and Familly And ancestors. It is full of sadness and grief. During it’s publication it is presented as a whole new genre of poetry. Two deaths were depicted in the poem, that of a child and an end up of marriage. The poem deals with essential loneliness. This poem is brought up by his experience of losing his two children at a very young age. One of his son, committed suicide. Form of poem It is a free verse; Dramatic Lyric Structure of poem The Poem has no rhyme scheme yet it have noticeable number of stresses per lines. Lines spoken by people are enclosed in quotation marks and thus recognized as such. It also used emotional or tense form of words Rhyme scheme No rhyme scheme Meaning Overall Meaning Each of us has its own destiny. Decision making takes a big role in human life as such it will dictate the future of a person. Though we may not have the privilege or the ability to see our future, we can rely that in every action there is a reaction. It is said that Frost took the road less taken but in reality all of us travel in this very road and that is life, the run of life. All fo us run the same cycle. How the poem relates to life in general, and/or my life In decision making, we should take into consideration the effects it will burst forth and that what ever the result, I must be ready to embrace the consequence whether good or bad. Alliteration ‘I shall laugh the worst laugh I ever laughed To give of the best. To perform as if it will be the last. To smile at least there’s no tomorrow.

ADHD and My Family: Searching for a More Scientific Explanation :: Attention Deficit Hyperactive Disorder

ADHD and My Family: Searching for a More Scientific Explanation My father, like many Asian immigrants, left India to pursue his educational goals in America in order to provide a better life for his family. He arrived in the U.S. with fourteen dollars in his coat pocket, a suitcase in his hands, and a will to succeed. For my father, in a place like America where opportunities were plentiful and where hard work actually paid off there was no excuse not to succeed. The practical translation of this belief meant that if his children worked hard in school there was nothing they too could not achieve. As such, in my father's household, not doing well in school was not an option. Because of his cultural background my father found my brother's poor performance in school incomprehensible. I too was puzzled by my brother's attitude towards school. He and I grew up in the same house with the same parents and the same set of values. Yet, he seemed to not care about school at all. For a long time, my family and I attributed my brother's C's in school and obvious inability to concentrate to laziness and a lack of motivation. My brother's diagnosis with Attention Deficit Hyperactivity Disorder (ADHD) was both a welcomed explanation and a shock to my parents. On the one hand, my mother and father had begun to question their parenting abilities, and this allowed them to shift the blame from themselves. On the other hand, they had a very limited understanding of mental illness. In particular, the concept of mental illness itself was not something they were terribly familiar with. For my parents, problems of the mind were problems that existed within the scope of personal will power. In many ways, I partially subscribe to the world-view that my parents hold. As such, until recently, I've been skeptical of my brother's diagnosis. In particular, at the time, it seemed to me that distractibility was something that I too suffered from. I didn't enjoy forcing myself to concentrate, but I did it because I knew that I had to. In addition, my brother seemed perfectly capable of concentrating when he was playing soccer, watching the Discovery channel or playing video games. In my mind, his problems appeared to be that he was spoiled and didn't like being told what to do. In addition, I think that ADHD gave everyone in my family the excuse that they needed.

Monsoon Wedding

Monsoon Wedding, directed by Mira Nair, is a story of a closely – knit, well – off Indian family reunited for the arranged marriage of Lalit (Naseeruddin Shah) and Pimmi (Lillete Dubey) Verma's daughter, Aditi (Vasundhara Das) is set in the modern day New Delhi.   Aditi will marry Hemant Rai (Parvin Dabas), a Houston – based software engineer, someone she barely knows. The plot, which initially appears to be simple, will take a sharp turn as the audience witness, Aditi's affair with her ex – flame, Vikram Mehta (Sameer Arya).   As the wedding approaches, we see the arrival of Aditi’s relatives and friends, from her cousins to her in – laws to the wedding planner.   From then on, a wide array of multifaceted and damaging relationships, begin to unfold (Mundhra NP). The most remarkable thing about the film is its production values.   It is brightly shaded with primary colors and other eye – catching hues that give each and every scene a life of its own.   The lively colors of the wedding household give a powerful contrast to the city outside of its portals.   The clever direction by Nair was matched by the witty cinematography of Declan Quinn.   Furthermore, the tandem was complemented by the lavish production design by Stephanie Carroll.   The combined forces composed a look that will surely satisfy the curiosity of the international audiences seeking to take a peak of Indian culture, while doing justice to that culture (Ibid, par. 1). The musical score of the film synchronizes with all the other elements at just the right tune.   After all, an Indian wedding will not be complete without music. In the film, it takes the spotlight as composer Mychael Danna effortlessly depicts the cheerfulness of the occasion while balancing it off with the gloomy moments through his clever musical score (Ibid, par. 2). The film deserves a round of applause for not reducing itself to be a moralistic portrayal of the Indian marriage culture to the delight of its international audiences.   Through this, the audiences are able to see things as they are without the outer trappings that rob it of its authenticity.   There is no stopping Nair of educating his viewer as they are taken into a glimpse of the Eastern life.   As a result, the audience becomes the honored guests to the wedding as the rest of the cast add to the simple ambiance as the story is told (Ibid, par. 3). There are scenes in the film that is consumed by sentimentalism which all too familiar with movies of the same kind.   Nevertheless, it did not spoil the rest of the otherwise jovial moments in the film.   It just leads to the realization that after all, a wedding is a sentimental occasion indeed.   It is a luscious take on the relationships that gives definition to a family which sets them apart from all the rest.   It is a theme that surpasses all boundaries demarcated by culture, while remains the same thing that defines them (Ibid, par. 4). As most of the characters in the film are Hindu, Monsoon Wedding is clearly not a Christian flick.   This is true even though the characters have undergone moderate secularization.   Secular Indians though remain true to their vow to monogamy.   They spend the rest of their lives as one family and stick it out together against all odds.   This serves as their distinction from their Western counterparts.   In point of fact, Bollywood films have gained recognition for the optimistic take on the subject of marriage and morality (Noll NP). The audience needs to watch out for the notices on the use of bad language in films.   Most films rated â€Å"R† by the regulatory board contain sex, violence and foul language.   There are no rules governing how much sex, violence and vulgarity prohibits Christian viewers to see a certain film.   There are Christian who totally abstain from watching films of this kind.   Nevertheless, Christian viewers should pass up every opportunity of watching pornographic or â€Å"X† rated films or even those with â€Å"R† on their ratings (Ibid, par. 6). Then again, we can not confine viewers as they all exercise the liberty to decide which films tickle their fancies.   In reality, there are Christians who prefer to watch â€Å"R† rated films.   This is the kind which includes sex, violence and vulgarity but do not venerate whatsoever any untoward behavior (Ibid, par. 7). In the real world, the use of vulgar words is close to impossible.   For some people, it is just as inevitable like for example P.K. Duyebi of Monsoon Wedding.   The audiences do not find it hard to relate to his character as he portrays a very human trait.   Throughout the course of our lives, we are all in search for something better.   In his case, he found the love in Alice, a Christian.   However, truth be told Alice alone will not be able to clear Dubeyi mouth off his vulgar choice of words (Ibid, par. 8). Love has been the most clichà ©d themes ever captured on film.   Nonetheless, Nair’s ability to capture on film the different faces of love remains to be unparalled even after many attempts have been made to follow her lead.   In most cases, love as a cinematic theme has been depicted as it dangerously strides on the verge of melodrama to sentimentalism.   However, the love story has always been told about a man and a woman (Mundhra NP). Love comes in all sizes and shapes.   It is so universal that it seems to speak just one language.   Regardless of race, color and culture, love remains to be our common ground.   Love is a powerful force so powerful that it can sometimes get the better of us.   As life is not always a bed of roses, so is it with love.   We all struggle along the bitter pangs that come with the whole package at all possible expenses.   But love remains the driving force that steers us through the everyday grind. Without it, we seems to be at a lost, alone in an island where no one will seem to come to our rescue.   Nevertheless, the imperfections of life are certainly what make it more worth living.   It test our patience and our faith that against all odds we could still come out unscathed and even more stronger to live another day. On the other hand, Naiz exploits all of these classics and injects so much more of her own.   She has cleverly done so by breathing life a tapestry knitted with brightly – colored fancy and cruel certainty, satire and authenticity, the bliss of love as well as its nasty incarnations (Mundhra NP). The film outlines five interconnected stories each of which traverse the many faces of love.   Each story transcends culture, territories and ethics.   It celebrates the modern Indian life never before captured on screen (Mirabai Film NP). Nair and Dhawan, created a link between the old and the new, the conservative and the bold, the naà ¯ve and the sexual in the modern day India.   The camera style employed in the film becomes the viewer’s eyes as they see through the lenses the kind of lives the characters portray.   The audiences are ushered in to the Punjabi culture, Nair’s very own.   Such culture is characterized as hearty, earthy and effervescent.   All these set against a backdrop of lively Bollywood music accompaniment as endless serving of kebabs and whisky depicts the festive mood that makes it undeniably a Punjabi wedding (Ibid, par. 13). The camera style was utilized in the film.   It is the style usually employed in filming documentaries.   The hand – held camera, switching back and forth takes the audience attention from one character to another.   It moves around a crowded room while it runs after the characters whose all over the place at one time or another.   A film shot entirely in this style can be exhausting for the audience even though many traditional set – pieces were injected to the scene when the sense of movement and action requires an undisturbed mode. Moreover, this style primarily relies on the sense of movement – the wedding hues, the choppy, the witty exchange of words, the trips around the city, makes the audience behave like a wave after another.   There are stoplights along the road though just when you think the finish line is near, another race begins.   The camera style, at a certain extent can be exasperating and jarring to bear the entire length of the film (The Everything Development Company NP) Work Cited Monsoon Wedding. Dir. Mira Nair. IFC Productions, 2001. â€Å"Monsoon Wedding.† 2008. IMDb.com, Inc. Retrieved February 8, 2008, from   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   http://www.imdb.com/title/tt0265343/plotsummary. â€Å"Monsoon Wedding, a new film by Mira Nair.† 2008. Mirabai Film. Retrieved February 8,   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   2008 â€Å"Monsoon Wedding.† 2008. The Everything Development Company. Retrieved February 14,   Ã‚  Ã‚   2008 from http://everything2.com/index.pl?node_id=1240139. Mundhra, Smriti. â€Å"Review of Monsoon Wedding.† 2008. IGN Entertainment, Inc. Retrieved   Ã‚  Ã‚  Ã‚  Ã‚   February 14, 2008 from http://movies.ign.com/articles/354/354297p1.html. Murphy, Gareth. â€Å"Monsoon Wedding.† 2007. Entertainment.ie. Retrieved February 14, 2008 Noll, Stephen. â€Å"MONSOON WEDDING (2001). Notes for Mars Hill Video Club.† 24    September 2007. Stephen's Witness. Retrieved February 14, 2008. ;

The Atlantic Revolution - 988 Words

In the late 1700’s, the main conflict throughout the Atlantic was freedom to all. This period showed many views from different people in ways in which they tried to express the word. People in the America’s and eastern nations such as France were trying to rebuild their nations with an idea that all men are created equal, that they are given the right not from authority, but by birth. From the â€Å"Declaration of the Rights of Man and Citizen† in France which was their laws to give men freedom, to a wealthy man in Venezuela named Simon Bolivar who helped free his country from Spanish rule only to struggle with making his country a federation after the destruction, you see that freedom is hard to concur. Independence cannot only be observed†¦show more content†¦In her book she challenges the government of France and their ideas that women should not be exposed to the same education as men. She gives warning that women will not forever be satisfied wi th only domestic concerns, and she demands justice for the female race. Similar to women in this time period, another group was also challenging the â€Å"rights of man†. The ideas of the French Revolution also motivated slaves to stand up for their rights. Frederick Douglass, a former slave, addressed an antislavery meeting on the 4th of July. Like the women of France, Douglass pointed out the hypocrisy of the French government in saying that all men are equal. In being asked to speak on the 4th of July, Douglass felt as if he was being ridiculed because the day meant nothing to slaves. The Declaration of the Rights of Man and Citizen meant nothing to them. There was no more justice for slaves during this time than there was for women. Both oppressed groups were challenging France for the first time, in hopes to gain their collective rights. Outside of France, the struggle for freedom was troubling colonial subjects as well. Simon Bolivar was a political leader in Latin Ame rica at this time and after helping his people escape from Spanish rule, Bolivar still could not form the stable colony he had planned. His people had gotten so accustomed to living under Spanish rule, that when that tieShow MoreRelatedCharacteristics Of The Atlantic Revolutions1050 Words   |  5 PagesThe Atlantic Revolutions form 1750-1914 created widespread movements and connected the globe by sharing common ideas. Since 1914, the ideals of human society from the Atlantic Revolutions, such as independence, political changes, and freedoms for all, are confirmed by society’s constant attempt to attain such values. Those ideals set the foundation of modern society and maintain to be an essential characteristic of society’s evolvement. Prominently, the fight for independence shaped the AtlanticRead MoreGlobal Echoes Of Atlantic Enlightenment And Revolution921 Words   |  4 PagesGlobal Echoes of Atlantic Enlightenment and Revolution There are many different crucial sources that demonstrate the global influences of Atlantic revolutionary movements and Enlightenment views on human rights. Enlightenment philosophies of government and human rights ignited the revolutionary transformation in all of the Atlantic world. Political leaders on both sides of the Atlantic wanted to incorporate European Enlightenment concepts into their societies. Revolutions began to build on one anotherRead MoreSimilarities Between The Spanish American And Atlantic Revolutions1230 Words   |  5 PagesHaitian, and Spanish American Revolutions. If broken down, the revolutions have very few things in common and the list of differences seem to go on forever. However, the similarities are what tie all of the revolutions together. 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He strives to express the causes, effects, and the political civil war which caused the great uproar in the once colonial lands. This shift in history is noted in Klooster’s book and expanded upon in his chapter entitled â€Å"The Revolution’s Compared.† He notes the various commonalities between the American, French, Haitian, and Spanish AmericanRead MoreThe American Revolution And The War Of Independence964 Words   |  4 PagesMany people are aware of the different aspects of the American Revolution and the war of Independence, especially consisting of the people directly involved within the Americas. Of course the people of the colonies were involved because they were the main participant in the war and the British were involved because that is who the colonies were fighting to gain independe nce from. The Indians were involved in a minor way, mainly on the British side. The African Americans also played a part in helpingRead MoreThe Early Modern Atlantic Economy Edited by J. McCusker and K. Morgan1368 Words   |  6 Pagesthat Brazil and the Caribbean experienced a sugar revolution while on the other hand another group argues that there was no such thing as a sugar revolution, what Brazil and Caribbean experienced was simply a sugar boom. In order to assess which group of historians is more accurate, one must first understand the concept of a sugar revolution and what factors must be present in order for a sugar revolution to occur. The concept of a sugar revolution is one that states there was a drastic change fromRead MoreEuropean Exploration : The Age Of Discovery1128 Words   |  5 PagesIntroduction). Europeans had a hard time believing there was life outside of Europe before they explored. European nations reached out and influenced the entire world from the 1500s to the 1750s. Along with the global exploration, the Scientific Revolution and the Atlantic Slave Trade were also two of the most influential happenings during this time period. With the means and motives, Europe advanced rapidly and influenced other nations like the Americas and Africa. Europeans had ships, navigation, andRead MoreAtlantic History : Concept And Contours854 Words   |  4 PagesThe study of the Atlantic as an interwoven community is a relatively new theory. Historians are beginning to see Atlantic History as â€Å"a sudden and harsh encounter between two old worlds that transformed both and integrated them into a single New World† , and not just separate entities with detached pasts. Atlantic History: Concept and Contours by Bernard Bailyn lays the framework for what Atlantic History is and how it should be studied. Bailyn states that the reasoning behind writing the book is